Compare · 2 products compared
Canon EOS R5 Mark IIvsFujifilm X100VI: Which to Buy
Both cameras shoot 10-bit log video, share the same subject-detection list and both charge over USB. Everything else splits hard: the Canon EOS R5 Mark II is a full-frame system camera with a stacked sensor and two card slots, while the Fujifilm X100VI is a fixed-lens APS-C compact. The mount decides it.
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- MOST WINS
CanonBest for Working stills and video shooters who need interchangeable lenses, speed and dual card slots
18of 22 specs better - Fujifilm
Best for Street and travel shooters who want a light, pocketable everyday camera
4of 22 specs better
Biggest differences
Continuous shooting (electronic)
Canon EOS R5 Mark II leads
2.31×
higher is better
- Canon EOS R5 Mark II30 fps
- Fujifilm X100VI13 fps
Memory card slots
Canon EOS R5 Mark II leads
2×
higher is better
- Canon EOS R5 Mark II2 slots
- Fujifilm X100VI1 slots
Battery life
Canon EOS R5 Mark II leads
1.97×
higher is better
- Canon EOS R5 Mark II630 shots
- Fujifilm X100VI320 shots
Viewfinder resolution
Canon EOS R5 Mark II leads
+56%
higher is better
- Canon EOS R5 Mark II5.76 M dots
- Fujifilm X100VI3.69 M dots
Features not all of them have
Headphone port
- Canon EOS R5 Mark II✓
- Fujifilm X100VI✕
Where each one wins
Canon EOS R5 Mark II
- Effective pixels
- Sensor format
- In-body image stabilization
- Sensor type
- Continuous shooting (mechanical)
- Continuous shooting (electronic)
- Max mechanical shutter speed
- Pre-burst capture duration
- Max video resolution
- Viewfinder resolution
- Viewfinder magnification
- Screen articulation
- Rear screen resolution
- Battery life
- Memory card slots
- Weather sealing
- Headphone port
- HDMI port type
Fujifilm X100VI
- Weight
- Width
- Height
- Depth
What both have
- Aspect ratios3:2, 4:3, 1:1, 16:9
- AF subject detectionHuman, animal, bird, car, train, airplane, motorcycle
- Video bit depth10 bit
- Log profile support✓
- USB charging & power delivery✓
- Minimum operating temperature0 °C
Every spec
Red marks the better value in each row.
| Spec | Canon EOS R5 Mark II | Fujifilm X100VI |
|---|---|---|
| Overview | ||
| Release date | 2024-08 | Not published |
| Launch price | Not published | Not published |
| Lens mount | Canon RF | Fixed lens |
| High resolution pixel-shift mode | Not published | — |
| Sensor & Image | ||
| Effective pixels | 45 MP | 40.2 MP |
| Sensor format | Full-frame | APS-C |
| Native ISO maximum | Not published | 12,800 ISO |
| In-body image stabilization | 8.5 stops | 6 stops1 |
| Sensor readout speed | Not published | Not published |
| Sensor type | Stacked CMOS | CMOS |
| Aspect ratios | 3:2, 4:3, 1:1, 16:9 | 3:2, 4:3, 1:1, 16:9 |
| Lens & Autofocus | ||
| Continuous shooting (mechanical) | 12 fps | 11 fps |
| Continuous shooting (electronic) | 30 fps | 13 fps |
| Max mechanical shutter speed | 8,000 1/s | 4,000 1/s |
| Pre-burst capture duration | 0.5 s2 | 0 s3 |
| AF subject detection | Human, animal, bird, car, train, airplane, motorcycle | Human, animal, bird, car, train, airplane, motorcycle |
| Video | ||
| Max video resolution | 8K | 6K |
| 4K max frame rate | — | 59.94 fps |
| Video codecs | HEVC, ProRes RAW, Cinema RAW Light, XF-AVC4 | H.264, HEVC |
| 4K max frame rate (full width) | 59.94 fps | — |
| Raw video recording | Internal | — |
| Video bit depth | 10 bit | 10 bit |
| Log profile support | Yes | Yes |
| Video dynamic range (log) | Not published | Not published |
| Viewfinder & Screen | ||
| Viewfinder resolution | 5.76 M dots | 3.69 M dots |
| Viewfinder magnification | 0.76 x | 0.66 x |
| Screen size | Not published | 3 in |
| Screen articulation | Fully articulated | Tilting |
| Rear screen resolution | 2.1 M dots | 1.62 M dots |
| Handling & Power | ||
| Battery life | 630 shots | 320 shots |
| Memory card slots | 2 slots | 1 slots |
| Weather sealing | Dust and drip resistant | None5 |
| Weight | 746 g | 521 g |
| Width | 138.5 mm | 128 mm |
| Height | 101.2 mm | 74.8 mm |
| Depth | 93.5 mm | 55.3 mm |
| USB charging & power delivery | Yes | Yes |
| Minimum operating temperature | 0 °C | 0 °C |
| Headphone port | Yes | No |
| HDMI port type | Full-size | Micro |
Notes on 5 values — test conditions and caveats
- 1Fujifilm X100VI, In-body image stabilization: 6.0 stops of shake compensation is achieved when using the LCD or EVF.
- 2Canon EOS R5 Mark II, Pre-burst capture duration: Up to 15 shots can be buffered before you fully press the shutter, which is about half a second at 30 fps.
- 3Fujifilm X100VI, Pre-burst capture duration: Pre-shot buffers frames while the shutter is half-pressed (e.g., 20 frames at 20fps = 1 second), not a fixed seconds setting.
- 4Canon EOS R5 Mark II, Video codecs: Internal codecs are XF-HEVC S, XF-AVC S and H.264 MP4; ProRes RAW is recorded via HDMI to an external recorder.
- 5Fujifilm X100VI, Weather sealing: The camera body itself isn't weather-sealed; weather resistance requires the optional AR-X100 adapter ring and PRF-49 filter.
Sensor and low light
The Canon EOS R5 Mark II's full-frame stacked sensor is the bigger differentiator here. Full-frame gathers more light at the same exposure, which usually means cleaner files in dim rooms and more room to push shadows. The stacked design also reads out faster, which reduces rolling shutter in video and helps the autofocus keep up during bursts.
The Fujifilm X100VI's APS-C sensor is smaller, but 40.2 MP is close enough to 45 MP that print size is rarely the deciding factor. What the X100VI trades away in low-light headroom it gains back in portability. For a buyer who shoots mostly daylight and street scenes, the sensor gap matters far less than the size gap.
Speed and autofocus
The R5 Mark II is the faster camera by a wide margin. It fires at 30 fps electronically against the X100VI's 13 fps, and its mechanical shutter tops out at 8,000 1/s rather than 4,000 1/s, which helps in bright light with fast lenses. Pre-burst capture buffers about half a second before you fully press the shutter.
What does that buy you? More keepers when something moves unpredictably: birds taking off, kids mid-sprint, a bike entering frame. Both cameras detect the same subject types, so the autofocus intelligence is comparable. The R5 Mark II simply gets more chances per second to nail the shot.
Video
The Canon shoots 8K and records raw internally; the Fujifilm tops out at 6K and does not record raw video at all. The Canon also offers a full-size HDMI port and ProRes RAW over HDMI to an external recorder, plus a headphone jack for monitoring. Those are working-videographer features.
The X100VI still shoots 10-bit log in HEVC or H.264, which is enough for casual clips and social delivery. If video is a side interest, it will not hold you back. If you deliver footage to clients or grade heavily, the Canon's codec list is the reason to pay more.
Battery, cards and build
Battery life is roughly double on the Canon: 630 shots versus 320. That is the difference between a full day of shooting and carrying a spare. The Canon also has two card slots, so you can back up as you shoot or keep stills and video separate.
Weather sealing splits in a way buyers often miss. The Canon body is dust and drip resistant out of the box. The Fujifilm body is not sealed; you need the optional adapter ring and filter to get any weather resistance. If you shoot in rain or dust, factor that accessory into the X100VI's real cost.
Size, weight and the lens question
The Fujifilm X100VI is dramatically smaller and lighter: 521 g against 746 g, and roughly 40 mm narrower, 26 mm shorter and 38 mm shallower. It slips into a jacket pocket. The Canon does not.
But the X100VI's lens is fixed. You cannot change focal length or mount a telephoto, which is the single biggest reason to pick one over the other. The Canon's RF mount opens up the entire lens system, at the cost of carrying a bag. Choose the Fujifilm if one focal length is enough and you want the camera with you; choose the Canon if you need reach, speed or interchangeable glass.
The Verdict
Buy the Canon EOS R5 Mark II if you need interchangeable lenses, fast bursts, 8K or raw video, and all-day battery life. Buy the Fujifilm X100VI if you want a genuinely pocketable camera that you will actually carry, and one focal length is enough. The Canon wins nearly every spec; the Fujifilm wins the one that decides whether the camera leaves the house.
Where to buy
Canon EOS R5 Mark II
Best for Working stills and video shooters who need interchangeable lenses, speed and dual card slots
Fujifilm X100VI
Best for Street and travel shooters who want a light, pocketable everyday camera
FAQ
Does the Fujifilm X100VI have weather sealing?
Not by itself. The body is unsealed; weather resistance requires the optional AR-X100 adapter ring and PRF-49 filter. The Canon EOS R5 Mark II is dust and drip resistant with no accessories.
Can the Fujifilm X100VI record 8K video?
No. It tops out at 6K. The Canon EOS R5 Mark II shoots 8K and can also record raw video internally.
Which camera has better in-body stabilization?
The Canon EOS R5 Mark II, at 8.5 stops against the X100VI's 6 stops. The X100VI figure holds when using the LCD or EVF.
Can I change lenses on the Fujifilm X100VI?
No, its lens is fixed. The Canon EOS R5 Mark II uses the Canon RF mount and accepts interchangeable lenses.
Which has a headphone jack?
Only the Canon EOS R5 Mark II. The X100VI has no headphone port, which limits audio monitoring for video work.
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