Compare · 2 products compared
Canon EOS R8vsSony a6700: Full-Frame or Stabilized APS-C?
Both cameras are 10-bit 4K bodies with a 2.36M-dot EVF, a single card slot and serious subject-detection autofocus, so the choice comes down to priorities. The Canon EOS R8 puts a full-frame sensor and 40 fps electronic burst in a light body; the Sony a6700 counters with in-body stabilization, far longer battery life and 4K at 120p.
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CanonBest for Low-light and full-frame shooters who want fast electronic burst in a light body
6of 13 specs better- MOST WINS
SonyBest for Handheld video and all-day shooters who want stabilization, battery life and 4K120p
7of 13 specs better
Biggest differences
Continuous shooting (electronic)
Canon EOS R8 leads
3.64×
higher is better
- Canon EOS R840 fps
- Sony a670011 fps
Native ISO maximum
Canon EOS R8 leads
3.2×
higher is better
- Canon EOS R8102,400 ISO
- Sony a670032,000 ISO
Battery life
Sony a6700 leads
+54%
higher is better
- Canon EOS R8370 shots
- Sony a6700570 shots
4K max frame rate
Sony a6700 leads
2×
higher is better
- Canon EOS R860 fps
- Sony a6700120 fps
Where each one wins
Canon EOS R8
- Sensor format
- Native ISO maximum
- Continuous shooting (electronic)
- Rear screen resolution
- Weight
- Depth
Sony a6700
- Effective pixels
- In-body image stabilization
- Continuous shooting (mechanical)
- 4K max frame rate
- Battery life
- Width
- Height
What both have
- Sensor typeCMOS
- Max mechanical shutter speed4,000 1/s
- Max video resolution4K
- Video codecsH.264, HEVC
- 4K max frame rate (full width)60 fps
- Raw video recordingNone
- Video bit depth10 bit
- Log profile support✓
- Viewfinder resolution2.36 M dots
- Viewfinder magnification0.7 x
- Screen size3 in
- Screen articulationFully articulated
- Memory card slots1 slots
- USB charging & power delivery✓
- Minimum operating temperature0 °C
- Headphone port✓
- HDMI port typeMicro
Every spec
Red marks the better value in each row.
| Spec | Canon EOS R8 | Sony a6700 |
|---|---|---|
| Overview | ||
| Release date | Not published | Not published |
| Launch price | Not published | Not published |
| Lens mount | Canon RF | Sony E |
| High resolution pixel-shift mode | No | No |
| Sensor & Image | ||
| Effective pixels | 24.2 MP | 26 MP |
| Sensor format | Full-frame | APS-C |
| Native ISO maximum | 102,400 ISO | 32,000 ISO |
| In-body image stabilization | 0 stops | 5 stops |
| Sensor readout speed | Not published | Not published |
| Sensor type | CMOS | CMOS |
| Aspect ratios | 3:2, 4:3, 1:1, 16:9 | Not published |
| Lens & Autofocus | ||
| Continuous shooting (mechanical) | 6 fps | 11 fps |
| Continuous shooting (electronic) | 40 fps | 11 fps |
| Max mechanical shutter speed | 4,000 1/s | 4,000 1/s |
| Pre-burst capture duration | 0.5 s | Not published |
| AF subject detection | Human, animal, bird, car, train, airplane, motorcycle | Human, animal, bird, insect, car, train, airplane |
| Video | ||
| Max video resolution | 4K | 4K |
| 4K max frame rate | 60 fps | 120 fps |
| Video codecs | H.264, HEVC | H.264, HEVC |
| 4K max frame rate (full width) | 60 fps | 60 fps1 |
| Raw video recording | None | None |
| Video bit depth | 10 bit | 10 bit |
| Log profile support | Yes | Yes |
| Video dynamic range (log) | Not published | 14 stops |
| Viewfinder & Screen | ||
| Viewfinder resolution | 2.36 M dots | 2.36 M dots |
| Viewfinder magnification | 0.7 x | 0.7 x |
| Screen size | 3 in | 3 in |
| Screen articulation | Fully articulated | Fully articulated |
| Rear screen resolution | 1.62 M dots | 1.04 M dots |
| Handling & Power | ||
| Battery life | 370 shots | 570 shots |
| Memory card slots | 1 slots | 1 slots |
| Weather sealing | Dust and drip resistant | Not published |
| Weight | 461 g | 493 g |
| Width | 132.5 mm | 122 mm |
| Height | 86.1 mm | 69 mm |
| Depth | 70 mm | 75.1 mm |
| USB charging & power delivery | Yes | Yes |
| Minimum operating temperature | 0 °C | 0 °C |
| Headphone port | Yes | Yes |
| HDMI port type | Micro | Micro |
Notes on 1 value — test conditions and caveats
- 1Sony a6700, 4K max frame rate (full width): Full-width 4K tops out at 60p; 120p 4K uses a crop.
Sensor and low light
The Canon EOS R8 uses a full-frame sensor, and that extra area is the single biggest reason to pick it. Larger photodiodes gather more light per pixel, so a full-frame body holds up better in dim rooms and at dusk, and it gives a shallower depth of field at the same framing for that blurred-background look. The ISO ceiling reflects the same advantage: 102,400 native against 32,000 on the Sony a6700.
Megapixels cut the other way, but barely. The Sony's 26 MP gives a little more room to crop a still and still print large, while the Canon's 24.2 MP is plenty for anything short of heavy cropping. Between these two, sensor size decides far more images than the 1.8 MP gap does.
Stabilization: the Sony's biggest card
The Sony a6700 has in-body image stabilization rated at 5 stops. That means handheld shots at slower shutter speeds stay sharp without raising ISO, and it is the difference between usable and blurred footage when you are walking with the camera. It also stabilizes any lens you mount, including third-party glass without optical stabilization.
The Canon EOS R8 has no sensor-shift stabilization at all, so it relies on stabilized RF lenses. Shoot mostly static scenes on a tripod or with IS glass and this barely registers. Shoot handheld video or low-light stills on unstabilized primes and the Sony is the easier camera to live with.
Burst speed and autofocus
The Canon EOS R8 is the faster camera on paper, and it splits by shutter type. Its electronic shutter reaches 40 fps, which is a genuinely different tool from the Sony a6700's 11 fps: you get far more frames around a bird taking off or a sprinter leaving the blocks, and more chances one is sharp. Drop to the mechanical shutter, though, and the Canon falls to 6 fps while the Sony holds its 11 fps with no rolling-shutter risk.
Subject detection favors the Sony slightly on breadth. Both recognize humans, animals, birds, cars, trains and airplanes, and the Canon adds motorcycles while the Sony adds insects. The Canon also offers a 0.5 s pre-burst so you can capture the moment before you press the button. For insects, pick the Sony; for motorcycles or pre-capture, pick the Canon.
Video
Both record 4K in 10-bit with a log profile, so gradeability is a wash before you touch the specs. The Sony a6700 pulls ahead at 120 fps in 4K, which gives you four-times slow motion at that resolution. On the Canon EOS R8 the ceiling is 60 fps, fine for normal-paced footage but short of a proper slow-motion mode.
Read the footnote before you commit: full-width 4K tops out at 60p on both cameras, and the Sony's 120p uses a crop. That crop narrows your field of view and costs you the wide end of a zoom, so if slow motion is the reason you are buying, budget for a wider lens. Neither camera records RAW video internally.
Battery, size and handling
The Sony a6700 lasts noticeably longer per charge: 570 shots against 370 on the Canon EOS R8. That is roughly one and a half times the shooting, so a day of travel or an event shoot may need no spare on the Sony and definitely will on the Canon.
The bodies trade bulk in different directions. The Canon is lighter at 461 g and slightly thinner front to back, but the Sony is the smaller camera overall, narrower and much shorter, which matters if you want a body that disappears into a jacket pocket with a compact lens. Both charge over USB, both have a headphone port and a micro HDMI, and both are rated to the same 0 °C minimum.
Which is best for sports and action?
The Canon EOS R8 is the better action camera indoors or under lights, because the full-frame sensor and its much higher ISO ceiling let you keep shutter speeds up in poor light, and 40 fps electronic burst floods you with frames at the decisive moment. Its 6 fps mechanical rate is the catch if you shoot fast-moving subjects that would smear under an electronic shutter.
The Sony a6700 is the better everyday action camera outdoors. Its 11 fps mechanical burst works in daylight without rolling-shutter distortion, the stabilization steadies panning shots, and the battery keeps up through a long game. Choose by light and by subject speed, not by the headline burst number.
The Verdict
Buy the Canon EOS R8 if you want a full-frame sensor, a higher ISO ceiling, a fast electronic burst and the lightest body here. Buy the Sony a6700 if stabilization, longer battery life, 4K slow motion and a more compact body matter more than sensor size.
Where to buy
Canon EOS R8
Best for Low-light and full-frame shooters who want fast electronic burst in a light body
Sony a6700
Best for Handheld video and all-day shooters who want stabilization, battery life and 4K120p
FAQ
Is the Canon EOS R8 full-frame?
Yes. The Canon EOS R8 uses a 24.2 MP full-frame CMOS sensor on the Canon RF mount, which is the main reason it beats the Sony a6700 on low-light noise and shallow depth of field.
Does the Sony a6700 have in-body image stabilization?
Yes, rated at 5 stops. The Canon EOS R8 has none, so it depends entirely on stabilized lenses for handheld work.
Can the Sony a6700 shoot 4K at 120fps?
Yes, but with a crop. Full-width 4K on both cameras tops out at 60p, so slow motion costs you field of view on the Sony.
Does either camera have two memory card slots?
No. Both the Canon EOS R8 and the Sony a6700 have a single card slot, so there is no in-camera backup card.
Which has better battery life, the Canon EOS R8 or the Sony a6700?
The Sony a6700, at 570 shots versus 370. There is no clear winner on sensor size though, so weigh the battery against the Canon's full-frame advantage.
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